Tag Archive | perle cotton

Slow Stitchin’ on Sunday Mornings

In these posts I want to share some of my favorite pieces, which will include wall hangings, small works, pillows, purses, and just because pieces. The piece below is form my book Creative Embroidery, Mixing the Old with the New.

Bella Fleur Mouchoir, 25 1/2″ x 21 1/2″

Bella Fleur Mouchoir (Beautiful Flower Handkerchief): The base of this wallhanging is made from a group of vintage floral printed hankies that I found in a green satin bag in my mom’s “delicates” drawer. I combined the hankies with scraps of vintage feed sack and cotton fabrics from the 40’s, with new cotton fabrics. I created a border of crazy- and strip- pieced fabrics, and I used satin ribbons to hide the raw edges. I embroidered stitches around the edges of the hankies and ribbons and the seams of the pieced fabric.

I embroidered this piece over several months, making sure to add embroidered and embellished details to each seam and open space. I was able to use almost all of the embroidery stitches that I included in the book, that utilized the threads that I chose to work with.

I made ribbonwork flowers using vintage cotton bias tape and woven ribbons, and fabric yo-yos from the left-over bits of vintage feed sack and cotton floral fabrics. This piece is adorned with vintage and new plastic buttons, and new novelty buttons.

Materials Used:

  • Perle Cotton: #8 and #12
  • Cotton Floss: 2 or three strands
  • Additional threads: tatting and crochet cotton in various weights; cotton floss
  • Embellishments: Glass seed beads, plastic charms, vintage and new buttons
  • Flowers and Fabric: Rosette, crinkly flower, fuller flower, yo-yo

Embroidery Details:

  • Border Row Stitches: Backstitch, blanket stitch, blanket stitch up and down, blanket and chain stitch, blanket stitch closed, blanket stitch up and down, chain stitch, chain stitch double, chain stitch spiny, chain stitch zigzag, chevron stitch, coral stitch, cretan stitch, cretan stitch looped, cretan stitch up and down, cretan stitch with chain stitch, cretan with feather stitch, crossed wing stitch, cross stitch row, feather stitch, feather stitch cobwebbed, feather stitch double, feather stitch looped, feather stitch single, fern stitch modern, fishhook stitch, fly stitch fancy link, herringbone stitch, herringbone stitch twisted, shell stitch row, snail trail stitch, stem stitch
  • Detail Stitches: Cross stitch, cross stitch twisted, fleet stitch, fleet stitch with loose knot, fly stitch, fly stitch with French knot stitch, fly stitch with lazy daisy stitch, French knot stitch, lazy daisy stitch, lazy daisy with bullion tip stitch, lazy daisy with French knot stitch, looped tendril stitch, pistil stitch, shell stitch, stamen stitch, and straight stitch
  • Flower and Shape Stitches: Bell flower stitch, buttonhole circle stitch, fly stitch flowers, French knot stitch flowers, lazy daisy stitch flowers, spiderweb: corner stitch, straight stitch flowers, whip-stitch star
  • Embellishment Stitches: Clustered buttons, curved wing butterfly, embroidered buttons, single bead stitch, stacked bead stitch, stitched 2-hoe buttons, stitched 4-hole buttons

Happy Stitching to you all! ~Christen

Slow Stitchin’ on Sunday Mornings

In these posts I want to share some of my favorite pieces, which will include wall hangings, small works, pillows, purses, and just because pieces. This month they are going to be from my new book, Creative Embroidery, Mixing the Old with the New, by C&T Publishing.

Measured Party Foul: I chose the star and heart filled blue printed fabric for the sky, and a green and yellow plaid fabric for the grass, then strip pieced a group of left-over fabrics and a gifted bag full of selvage edge strips for the fence. I pieced these sections together, then machine quilted the base. This gave me the perfect background for this collection of three whimsical friends. I cut out the bird bodies from a piece of muslin that had been fused with Heat’nBond. The I fused old tape measures for the bodies of the bird. I added in fun googly eyes, ribbon scarves, rickrack legs, laundry pin wings, shoe beads, and hat buttons. I even added the metal part of the tape measure for each beak. Other embellishments are rickrack and ribbonwork flowers, vintage buttons, glass mushrooms, vintage tin pins, and metal charms.

Embroidery Details: worked in perle cotton #5 and #8

  • Border Row Stitches: Blanket stitch, couched stitch, chain stitch, and whipped chain stitch
  • Decorative and Detail Stitches: Lazy daisy stitch, and French knot stitch
  • Embellishments: Rickrack and rosette flowers (directions can be found in my book); vintage and new plastic, wood, leather, and horn buttons; metal and glass charms and beads

Here is a video that I shot at the C&T Publishing Studios, that focuses on the new book, and some of my favorite pieces.

Happy Stitching to you all! ~Christen

Slow Stitchin’ on Sunday Mornings

In these posts I want to share some of my favorite pieces, which will include wall hangings, small works, pillows, purses, and just because pieces. This month they are going to be from my new book, Creative Embroidery, Mixing the Old with the New, by C&T Publishing.

Don’t forget, there is one more day to leave a comment on Saturday’s post 3-25-2023, Creative Embroidery, Mixing the Old with the New, Book Promotion, Day 6. Your name will be entered into a drawing to win the free ebook.

Denim and Dresden: The Dresden Plate block made from vintage feed sack and cotton prints was purchased at a thrift store for $1.00. It was originally sewn to a piece of muslin and embroidered with black floss, which really didn’t look that great! I removed the embroidery and background, and stitched the pieced block to a square of denim fabric, adding a fun vintage floral cotton fabric to the center of the block. I crazy-pieced each of the border strip sections with vintage feed sack and cotton print fabrics that I found on ebay, adding in a newer piece of fabric here and there. I hand-stitched yo-yo’s from the left-over vintage fabric scraps.

I embroidered each section of the plate block, then hand-quilted the denim fabric square. Because I had created the border strips separately, it made it much easier to embroider these sections. When the center denim square and each of the strips were embroidered I stitched in the yo-yo’s around the center of the block and added vintage buttons for embellishment on both the block, denim square, and the crazy-pieced strips.

Once all of the embroidery and embellishments were completed, I bound the inner edge of each crazy-pieced strip to finish off the raw edges. I stitched the center denim square onto a piece of batting, and then stitched the crazy-pieced border strips in place covering the raw edges of the denim square. Once this was done, I stitched in the yo-yo’s and buttons into the corners of the denim square. I added a backing made from left-over bits of cotton fabric, and bound the outer raw edges with the same vintage floral cotton fabric used in the center of the block.

Embroidery Details

  • Embroidery Stitches: All of the stitches that I used can be found in Creative Embroidery, Mixing the Old with the New
  • Hand Quilting: perle cotton #12
  • Border Rows: perle cotton #8, #12, and vintage tatting cotton
  • Decorative and Detail Stitches: perle cotton #8, #12, tatting cotton, and cotton floss
  • Embellishments: Fabric yo-yos (directions can also be found in my book), and vintage buttons

Here is a video that I shot at the C&T Publishing Studios, that focuses on the new book, and some of my favorite pieces.

Happy Stitching to you all! ~Christen

A Heart a Day: 28 Part 2

18 3/4˝ × 16 1/4˝ (47.6 × 41.3cm)

Red Roses, Four Generations of Love

This wallhanging started with several handkerchiefs that belonged to my mother and grandmother. The hankies are collage-pieced together with small bits of fabric, ribbons, laces, and trims. Special mementos include a few tatted and crochet flowers that my mom made, along with glass ladybugs, which is the symbol for our daughter. It is featured in my book, Creative Embroidery, Mixing the Old with the New, by C&T Publishing.

Here is a list of A Heart a Day, 2023

Happiest of heartfelt wishes for a wondrous day, and thank you for letting me share my love of hearts with you this month! ~Christen

Tips and Tea on Tuesdays and A Heart a Day: 28 Part 1

On Tips and Tea on Tuesdays, I will cover a topic and hopefully provide you with some tips that will be helpful! And just as an afterthought, tea may occasionally be a cup of Joe!

Tea today is Watermelon and Lime Zinger, an unexpected blend of hibiscus with notes of watermelon and lime, well just like the name I guess it is a “Zinger”. I paired it with some oatmeal and fruit today.

Today’s Tip: Is one that I think is worth repeating, keep those you love, close to your heart, treasure and treat any gift given to you as one coming straight from their heart.

Lady Rose

Is an art doll that I made from a variety of components. The base of the body is made from felt, with two heart-shaped crochet doilies, and one embroidered heart shape pin, all made by my mom. I painted her face, and added ballerina shoe and hand-shape charms to the body, as well as crochet roses with leaves, also made by my mom. She is embellished with satin ribbons in a variety of widths and colors; vintage rickrack trim and rickrack roses; and vintage and new buttons.

Lizbeth’s Dress for February

Lizbeth is an art doll that I designed, several years ago, for a monthly challenge called Dress UP. The goal was to create a mixed media dress each month. I decided that I wanted to make a mannequin form first, and then create an ensemble for her each month. Her dress for February is primarily made from French wire ribbon; the accents are made from silk bias, velvet, and satin ribbons; with a bit of pink lace, and a heart-shaped button (from my guy).

Rose Marie

This is an art doll that I have made using a paint brush, this one was actually our basting brush from the kitchen. I soaked it too long in the dish pan and all the bristles came out. OOPS! No worries, I knew that I could make something from this fiasco. I painted the brush-base, the wooden heart-shaped body, and the cardboard backdrop with acrylic paints. I painted her face, and added in the “Carmen Miranda”-like tiara made from some crochet flowers made by my mom, and some ribbonwork leaves. On the backdrop, I added in a vine and leaf trim, additional plastic flowers, florist wire leaves, and lady bugs. Why? read on!

Happy Stitching to you! ~Christen

PS: If you have any questions or thoughts, just leave a comment! See Tips, Tricks, the Basics, for more helpful ideas.

Slow Stitchin’ on Sunday Morning

In these posts I want to share some of my favorite pieces, which will include wall hangings, small works, pillows, purses, and just because pieces, enjoy!

Gentle Ladies Needle Keep

The needle keep and pincushion roll were created for my book, Hand Embroidery Stitching, by C&T Publishing. The crazy-pieced needle keep is comprised of both solid and cotton prints with grosgrain ribbon and rickrack trim. The embroidery stitches were worked in cotton floss, perle cotton #8 and #12, and glass seed beads. Additional embellishments include fun novelty shaped buttons. The pincushion and roll are made from felt, with a wooden spool as the base. Both are embellished with rickrack trim, seed beads, and novelty shaped buttons. Here is a handout for Free Pincushion Instructions.

Needle Keep: Embroidery Stitches Used

  • Border rows: feather stitch with chain-stitch edge, fern stitch modern, running stitch, chain stitch feathered, blanket stitch short-long, blanket stitch, chevron stitch, cross stitch row, blanket stitch locked zipper, stem stitch, herringbone stitch overlaid, blanket stitch crossed, petal stitch, backstitch, string of pearls stitch, fly stitch netted, fishnet stitch, blanket stitch angled, rickrack trim with straight stitch details
  • Decorative stitches: Fly stitch, lazy daisy tulip stitch, straight stitch, fly stitch with lazy daisy stitch, lazy daisy stitch
  • Detail stitches: French knot stitch, straight stitch
  • Vignette stitches: Spiderweb corner stitch, button spider, grouped French knot and straight stitches, stacked bead stitch, clustered buttons

Pincushion Roll: Embroidery Stitches Used

  • Border row: rickrack trim with bell flower stitch, seed bead details
  • Stem and flowers: chain stitch, lazy daisy stitch, buttons

Happy Stitching to You! Christen

PS: If you wish to see more of my work, check out the Gallery section.

Slow Stitchin’ on Sunday Morning

In these posts I want to share some of my favorite pieces, which will include wall hangings, small works, pillows, purses, and just because pieces, enjoy!

11 1/4″ x 11 1/4″

California Dreamin’

This piece was created for my book, The Embroidery Book, by C&T Publishing. The inspiration for the base were the two hand-dyed marbleized fabrics, and I used every last bit here! I cut them into strips, and pieced the remaining sections with bleached muslin fabric. I used left-over strips of a batik fabric for the binding and back. The center square, and the third row of muslin fabric is where the bulk of the embroidery stitches are worked, I love how only a bit of that fabric shows through the stitches. The stitches are worked in four skeins of perle cotton #5 and nine skeins of cotton floss, using solid and variegated colors. Vintage green glass beads were used for the accents.

Embroidery Stitches Used

  • Decorative stitches: Gwen’s rose stitch, Jill’s flower stitch, lazy daisy stitch flower, French knot flower, fly stitch side-by-side, buttonhole circle stitch, barnacle stitch, whip-stitch star
  • Detail stitches: French knot stitch, lazy daisy stitch, fly stitch
  • Border rows: chain stitch, French knot stitch

Happy Stitching to You! Christen

PS: If you wish to see more of my work, check out the Gallery section.

Slow Stitchin’ on Sunday Morning

In these posts I want to share some of my favorite pieces, which will include wall hangings, small works, pillows, purses, and just because pieces, enjoy!

8 1/4″ x 8 1/4″

Sweet Roses and Posies

I created this piece for my book, The Embroidery Book, by C&T Publishing. I used two different colors of Hoffman Batiks for the the strip-pieced base. I added in hand-dyed vintage cotton lace and dyed mother-of-pearl buttons for the details. The embroidery was first worked around the center square, with a row of stitches mirroring the square. Vignettes were worked into the center, and corners of the middle section. The embroidery was worked in Wildflower thread by the Caron Collection, and 6 colors of silk embroidery ribbon and silk floss.

Embroidery Stitches Used

  • Border row and vines: blanket stitch, feather stitch
  • Decorative stitches: lazy daisy stitch, ribbon stitch, padded straight stitch
  • Detail stitches: French knot stitch, lazy daisy stitch, fly stitch
  • Vignette stitches: woven rose stitch, woven rose stitch variation (two colors of ribbon), pointed petal stitch, rosette, French knot stitch

Happy Stitching to You! Christen

PS: If you wish to see more of my work, check out the Gallery section.

Friday’s Favorites: Color Episode 1

Color, color, color and more colors. I love them all. When I work, I let the fabrics and other components tell me what they want to be when they grow up. Today, I am going to share two pieces from my cream and beige collection.

9″ x 10 1/2″

Creme de la Creme

This piece was featured in my book The Embroidery Book, by C&T Publishing. It was an example of a monochromatic color palette. There are shades of cream, off-white, candlelight, beige, and pearl. The base of this piece is a doupioni silk, layered with many treasured bits of lace, that I had collected over the years. The embroidery was worked in silk ribbons and perle cotton threads. The embellishments include, beads, mother of pearl buttons and charms, and fresh water pearls. The frame is comprised of carved bone purse handles.

13″ x 13″

Splattered Scattered Tatters

This piece is from my new book, Creative Embroidery, Mixing the Old with the New. I crazy pieced the base using odd scraps of muslin, added batting to the back and quilted a random pattern with perle cotton #12. I gathered small bits of machine made lace, tatted and crochet lace, and appliques. Some of the tatted and crochet pieces were made by my mom and myself. I also found a home for a collection of crochet and thread woven buttons, mother of pearl buttons, and bone underwear buttons. The embroidery is very minimal, so that the lovely components could speak for themselves. To bring all of the shades of cream together, I spatter dyed the base with Colorhue dyes.

I hope that your day is colorful! Happy Stitching to you all! ~Christen

Working with Embroidery Threads and Ribbons

Embroidery is one of my most favorite pastimes. I enjoy both the process of creating and being able to pass on my knowledge through teaching and writing. Here are some tips that I hope you find useful.

crazy pieced base with embroidery

Cut Lengths

Keep your threads at a minimal length, so that the fibers do not break down, or tangle.

  • Embroidery threads: 18″
  • Silk embroidery ribbon: 16″
  • Metallic threads: 16″

Threading the Needle

  • When threading the needle, hold the end of the thread close to the eye of the needle, insert this end directly into the eye.
  • Always cut the end of the thread straight across the grain.
  • Pinch the tip of the thread and/or wet the tip of the thread.
  • Wet the eye of the needle, the moisture will attract the thread.
  • A needle threader can also be used for floss or perle cotton.
  • Perhaps a magnifier glass with a light source will help.
  • Hire a teenager that has great eyesight to thread your needles. (Don’t laugh; I used to do this for a dear friend of mine!)

Knots

  • Once the needle is threaded, I knot the tail. After I work a row of stitches, I knot the thread on the wrong side and cut the thread. I then make a knot in the thread, ready for the next row of stitches.
  • Another option is to tack the thread at the beginning and end of a row of stitches. Make a tack stitch into the foundation of muslin or interfacing (not through the entire piece). Take another tack stitch next to the first, pulling the thread to make a loop. Insert the needle through the loop and pull the knot closed.

Thread and Ribbon Specifics

Perle Cotton

When working with a ball of perle cotton, the loose end of thread will be found wrapped horizontally around the ball. This end is usually tucked under several layers of wrapped thread, so pull gently to find the end. Thread the needle with the loose end, and then cut off the amount needed.

When working with a skein of perle cotton, first remove any paper wrappers or tags. Untwist the skein and find the knot, then use one of the following suggestions.

  • Cut the knot of thread and wrap the length of the skein over a Stitch Bow thread holder. Tie the one end to the loop on the Stitch Bow and place the wrapper with the color # on the small rectangular portion of the holder. Take the loose end and cut off 18″ of thread, thread this onto the needle.
  • Cut through the entire skein at the knot, and tie into a loose knot to hold the threads together. Pull one thread out from the knot at a time, cut the length into two 18″ pieces. Select one piece and thread this onto the needle.

Floss

When working with a skein of floss, the mystery is always finding the tail without creating a big ball of knots. In most cases the tail closest to the paper wrapper listing the color#, will come out of the skein easily with no snarls. Pull out the tail and cut off 18″ of thread.

Another option is to remove both of the paper wrappers from the skein and slip the skein over a Stitch Bow thread holder. Tie the inner loose end to the loop on the Stitch Bow and place the wrapper with the color # on the small rectangular portion of the holder. Take the loose end and cut off 18″ of thread.

In most cases you will be working with a portion of the 6-strand length of floss. The number of strands you will use is up to you and your design. I usually use 3 strands, if a smaller stitch is needed then 2 strands. Here is how to split the threads:

  1. Hold onto the cut length of thread with one hand between your thumb and forefinger.
  2. Hold the remaining amount in the other hand, between forefinger and middle finger.
  3. Hold the length loosely in the same hand, between your thumb and ring finger.
  4. Pull your hands apart slowly to release the strands from the skein, let the thread flow between your thumb and ring finger.
  5. Choose the amount that you want to work with, 2 or 3 strands, and set the remaining group aside.
  6. Working with your chosen group, separate each thread individually, then reassemble these back together and thread this length onto the needle.

Silk Embroidery Ribbons

Whether you are working with a spool, reel or loose length, cut short 16″ of ribbon off. Then follow the following directions to knot the ribbon.

Beginning Knot

  1. Thread the ribbon through the eye of the needle, leaving a 2″ tail. Pierce the ribbon with the needle 1/4″ above the end of the tail.
  2. Pull the length of ribbon to snug the ribbon up to the eye.

Tail Knot

  1. Thread the needle through the tail with a straight stitch. Pull the ribbon through the stitch until only a small loop of ribbon is left.
  2. Thread the needle through the loop and pull the ribbon to form a knot.

Option: If you do not want to make a tail knot, then thread the needle through the fabric first, then hand stitch the tail in place with sewing thread.

Metallic Threads

Work with a short 16″ length, to minimize fraying on the ends.

  1. Fold over about 5 ” of the length of thread to make a small loop.
  2. Thread the loop through the needle.
  3. Insert the tip of the needle into the loop.
  4. Leaving a short tail, pull the length of thread to tighten the loop around the eye of the needle.

Finger Frame

All of the fabric bases have some form of stabilizer, so that I do not have to use a wooden or plastic frame. It is still important though to keep the fabric taught so that the embroidered stitches do not get pulled too tightly which will pucker and distort the fabric. I create a frame by holding the fabric between my fingers.

  1. Using your non-dominant hand, pinch the fabric between your forefinger on top and middle finger underneath.
  2. Leave a space of fabric, and then pinch the fabric between your thumb on top and ring finger underneath.

Happy Stitching to you! ~Christen

PS: If you are looking for inspiration or ideas, check out my PDF Classes and books.