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Recycled Blue Jeans and Denim Fabric

JEANS, when did you get your first pair? I grew up wanting to be the “ballerina” in Elton John’s song “Blue Jean Baby”. I can hear you singing, “can’t you see her, tiny dancer in the sand”.

In high school I embroidered jeans and work-shirts for friends and family. In fact the reason that I now wear a thimble while stitching is from being poked so much by working on the heavy jean fabric. I have recycled a pair or two (that did not fit anymore), and used them in various projects. I also like to work with denim fabric (sold by the yard), because it provides a nice firm base to work on.

“Blue Jean Baby” is stitched onto a pant leg, from a pair of old jeans. I removed the pocket first, and used it and the pocket from the other leg in the examples below. I appliqued a lace heart, and many hand made flowers into the heart vase. I added vintage and new beads into the centers of the flowers. I embroidered ribbon down the side edges using traditional embroidery stitches. The little cat (made from a quilt from 1880’s) was a gift that came along with an eBay purchase, and Marcia Marcantonio is the creator. Thank you Marcia, I think that your gift is quite at home here.

“Butterflies and Snapdragons” (a pocket from the pants), was featured in my book Ribbonwork Gardens, by C&T Publishing. The middle embroidery was worked on another portion of the jeans. “Flower Child” (a pocket from the pants), was featured in my book Ribbonwork Flowers, by C&T Publishing.

These two pieces begin with the same pair of jeans (cut from the other pant leg), and one of my favorite fabrics, the vintage floral print that the hearts are cut from. The heart shapes are bordered by a dyed leaf trim, and are surrounded by silk ribbonwork flowers and leaves, and silk ribbon embroidery.

“Country Hearts” Wall Hanging was featured in my book, The Embroidery Book, by C&T Publishing. Each square was cut from the same pair of jeans, and I used the vintage rickrack trim to cover the raw seams. The embroidery stitches are worked in perle cotton threads. The embellishments include vintage tatted lace, ribbonwork flowers, vintage buttons, and glass beads.

“Denim and Dresden” is featured in my book, Creative Stitching, Mixing the Old with the New, by C&T Publishing. I used jean fabric for the base of the piece, and I think that it compliments the vintage feed sack fabric so nicely. The embroidery is worked in perle cotton, cotton floss, and vintage tatting threads. The embellishments include yo-yo’s and vintage buttons.

Happy Stitching to you! ~Christen

PS: If you are looking for inspiration or ideas, check out my PDF Classes and books.

Building an Embroidered Seam Design

Embroidery adds so much texture and dimension to your fiber creations. Here are some ideas on how to approach working the stitches over the pieced seams of your fabric base.

Once I create a pieced base, I make a swatch card of the fabrics. I then gather the threads and ribbons that will be used on the project, matching or blending the colors of my pieced base. I then create a color chart for the project, organizing the colors of thread and ribbons that will be used as I embroider the stitches on each seam. For more information on my process, see this free handout: Designing With Color.

Border Rows: I work the border row on each piece of fabric with a different color of thread. Here I have worked the backstitch, outline, and coral stitches in a variety of shapes and designs as the beginning of my border rows. Other stitches that can be used for border rows are chain, blanket, feather, cretan, herringbone, and chevron stitches, and any of their variations. Individual stitches can also be used to create a border row over a seam.

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Decorative Stitches: I work the decorative stitches on each piece of fabric with a different color and/or colors of thread. Here I have added in lazy daisy, fly, cross, cattail, pistil, looped tendril, buttonhole circle, French knot, and straight stitches onto my border rows. There are any number of decorative stitches that can be used.

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Detail Stitches: I work the detail stitches on each piece of fabric with a different color and/or colors of thread. Here I have added in additional detail stitches to the border rows and decorative stitches.

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Happy Stitching to you! ~Christen

PS: If you are looking for inspiration or ideas, check out my PDF Classes and books.

Friday’s Favorites: Spiders and Webs

This time of year brings to mind spooky things, and to me the spookiest is running into a spiderweb and wondering if you are wearing the weaver of that web! We have quite a colony of orb weavers in our garden, and I am amazed by the intricacy of these woven wonders.

Ugly Bug Ball, by Christen Brown

The base of this piece is a cotton twill fabric. I pieced and stitched the web using a vintage embroidery ribbon, and rickrack trim. The web holds a host of ‘’ugly bugs’’ stitched mainly from old sewing notions and vintage glass and hand-blown glass beads. This can be seen in my book, Creative Embroidery, Mixing the Old with the New.

Spiders Hide in the Dusk, by Christen Brown

The base of this piece is a cotton batik, that I machine quilted, and then framed with a rayon cord. The embellishments include vintage glass and shell buttons, glass seed and larger beads. The webs, spiders, and button flowers are worked in bead embroidery stitches. This is a project in my book, Beaded Embroidery Stitching.

If you know my work, you know that I sneak a spider and a web into many of my crazy-pieced creations. I am in awe of the beauty of those delicate structures, and I try to capture that beauty either with beads or threads.

Charlotes Webs, by Christen Brown

This project started with the reproduction cigarette silk print in the center, whom I named Charlotte. The center section was crazy-pieced with tiny and tinier pieces of precious silk scraps left over from a few other projects. Satin ribbon was machine stitched randomly to create sections for the vignette embroidery which was worked in silk embroidery ribbon, woven ribbon, perle cotton and beads. Additional embellishments include vintage buttons and glass charms.

As much as I love to look at the webs, I am deathly afraid of real-life spiders! When I embroider the spider, I try to create a more whimsical version to somehow confront my fear! It works, until I run into a web, and then wonder…

All Friday’s Favorites posts.

Thank you for looking, and Happy Stitching to you all! ~Christen

National Lace Day

October 1, 2022

I LOVE to work with lace, and have acquired a wonderful stash, many of the pieces were given to me by thoughtful family members and friends. A variety of techniques are used to create lace, by hand or machine, from natural or synthetic threads or yarns. The hand-made techniques use simple tools, such as a needle, wooden bobbins, crochet hook, tatting shuttle, or knitting needles, and I tend to collect these, but all lace is welcome in my home!

9″ x 10 3/4″

Creme de la Creme by Christen Brown

This is a collection of some of my favorite little scraps of lace, trims, doily bits, and pieces of a collar and cuff. I collage-pieced these bits onto a background of dupioni silk, then hand-stitched the pieces in place. The vignettes are comprised of silk ribbon embroidery floral components, groups of buttons with silk ribbon embroidery stitches, charms and other beaded components. This piece can be found in my book, The Embroidery Book, by C&T Publishing.

23 1/2″ x 19″

Girly Girls by Christen Brown

This entire collection of doilies, napkins, small serving place mats, and lace bits was given to me by friends and family members. The kid glove belonged to my grandmother, and my mother stitched the oval floral pieces. The earrings came from both of my husband’s grandmothers, and the jacquard ribbon from his mother. I collage-pieced and hand-stitched the base first, then added in the larger components, and ribbonwork flowers. The embroidery is worked with perle cotton, and beads. I also added in vintage buttons, jewelry bits, perfume vials, and and a safety pin with tea themed porcelain charms. This piece can be found in my new book, Creative Embroidery, Mixing the Old with the New, by C&T Publishing.

Photo by Felix Mayorca

Pearl’s Delight by Christen Brown

I stitched this simple jacket from a fun paisley print that I had found in a $1.00 a yard bin many, many, years ago. Every inch of the base is covered with bits of vintage machine made, tatted, and crochet lace that had been given to me by my friend Jeri. The sections of lace are embellished with ribbons, mother-of-pearl buttons and charms, freshwater pearls, glass beads, and glass pearls that came from an old necklace that belonged to my grandmother. This piece can be found in my new book, Creative Embroidery, Mixing the Old with the New, by C&T Publishing.

Here is a collection of some additional pieces that can be found in my new book, Creative Embroidery, Mixing the Old with the New, by C&T Publishing.

Happy Stitching, ~Christen

National Sewing Month

Day 30

Question: Are you looking for inspiration, a little kick start, or just some eye candy? I have a few books that may help you on your creative journey, may that be a long and happy one!

Here is a re-cap of National Sewing Month 2022:

  1. September 1, 2022– Question: When did you first learn to sew, and who was your teacher?
  2. September 2, 2022– Question: How do you design a project, do you start with a plan or do you let the materials tell you what and where they want to be?
  3. September 3, 2022– Question: What type of piecing do you like to do?
  4. September 4, 2022– Question: When you choose a fabric, what are you drawn to, do you like to work with solids or prints, or hand-dyed or batiks?
  5. September 5, 2022– Question: Do you like to recycle old clothing, or use something in an unexpected way?
  6. September 6, 2022– Question: What type of embellishments to you like to work with on your projects?
  7. September 7, 2022– Question: Do you plan out every detail, or do you approach your work with serendipity?
  8. September 8, 2022– Question: Do you like to make and sew your own jewelry and adornments?
  9. September 9, 2022– Question: Did you know that the wooden spools that you have in your stash may be 50-100 years or older?
  10. September 10, 2022– Question: Do you have a favorite pincushion, or two?
  11. September 11, 2022– Rustic Americana, In Memory of 9/11
  12. September 12, 2022– Question: When you design a project, do you sometimes think, hmm I like that, but I want to try it in another colorway or design?
  13. September 13, 2022– Question: Do you plan out a project, with bits and pieces of paper lying around the workroom with your notes, or do you use a dedicated book to keep track of all of those ideas?
  14. September 14, 2022– Question: Do you name or title your projects, and how do you choose those names?
  15. September 15, 2022– Question: Do like to work with felt?
  16. September 16, 2022– Question: What sewer does not have a favorite pin or needle keep?
  17. September 17, 2022– Question: Do you sew functional forms for the home, or do you like to create whimsical additions?
  18. September 18, 2022– Question: Do you like to crazy-piece, but sometimes find the sections so small, that it is hard to embroider every seam?
  19. September 19, 2022– Question: Do you like to embroider over a pattern or print?
  20. September 20, 2022– Question: When you embroider a piece, do you like to use free-form images or do you use stencils?
  21. September 21, 2022– Question: When you create a strip-pieced base, do you embroider the seams, in the seams or over the seams?
  22. September 22, 2022– Question: What sewer hasn’t heard of the Sunbonnet Sue?
  23. September 23, 2022– Question: Do you sew functional forms or do you like to create fabulous frivolities?
  24. September 24, 2022– Question: Do you like to add lace to your creations?
  25. September 25, 2022– Question: When you are working with a group of fabrics, how do you decide what colors to use for the embroidery stitches?
  26. September 26, 2022– Question: What kind of sewing machine did you learn to sew on, and, what kind of machine do you sew on now?
  27. September 27, 2022– Question: When you see a hanky used in a project, do you ever think of Rhett Buttler’s comment to Scarlet: “Never, at any crisis of your life, have I known you to have a handkerchief.”
  28. September 28, 2022– Question: Do you ever hold on to a piece of fabric, and think, someday, I will use that?
  29. September 29, 2022– Question: When you buy a charm pack, do you often find that there are prints that you think, hmm, how did those get included in here?

I hope that you have enjoyed this month, and have found some inspiration within these pages.

Happy Stitching, ~Christen

National Sewing Month

Day 29

Question: When you buy a charm pack, do you often find that there are prints that you think, hmm, how did those get included in here?

Paris Flea Market- by Christen Brown

The four 9-patch blocks are comprised of the lighter colors of the charm pack, with a border of bleached muslin. The embroidery was worked in three colors of perle cotton, the border row stitches in one color, the decorative stitches in a second color and the detail stitches in a third color. I stitched groups of mother-of-pearl buttons to the border.

Charmed Square by Christen Brown

This small square was pieced with a few leftover squares from the pack, with two complementary fabrics to complete the nine-patch design and borders. The border row stitches were worked in one color of perle cotton #8 to straddle each seam. The decorative and detail stitches were worked in five colors of cotton floss, and two colors of seed beads. The color and stitch changed depending on which side of the border row they were stitched on. I used three colors of glass buttons and charms and added brass buttons as an accent color.

These two pieces can be found in my book, The Embroidery Book by C&T Publishing.

Happy Stitching, ~Christen

National Sewing Month

Day 27

Question: When you see a hanky used in a project, do you ever think of Rhett Buttler’s comment to Scarlet: “Never, at any crisis of your life, have I known you to have a handkerchief.” Well, I would rather put the hankies in my cache in a project, and go look for the Kleenex box! Here are a few examples of how I use hankies, that can be seen in my new book, Creative Embroidery, Mixing the Old with the New, by C&T Publishing.

7″ x 5 3/4″

Hankies and Rosettes by Christen Brown

This quaint little hanging started with 2 different hankies. I cut them into quarters and layered them on top of each other. The embroidery is worked in perle cotton, cotton floss, silk embroidery ribbon, and ribbon trims.

This is a close up of the Tea Cozy, which is one of the Stash Projects in the book. The hankies are collaged over a base, with the raw edge covered with ribbon or fabric. The embroidery stitches are worked in perle cotton, cotton floss, silk embroidery ribbon, and ribbon trims. A few precious buttons are thrown in here and there.

American Kitsch by Christen Brown

The hankies that I used for this wall hanging came from my mother’s collection, which she gathered on her tour in Europe where she met my dad. Several other hankies and table linens found there way into the project, along with some vintage rickrack trim. I used quite a few vintage and new buttons, two celluloid acorn charms, and glass and acrylic flower charms.

Happy Stitching, ~Christen

National Sewing Month

Day 26

Question: What kind of sewing machine did you learn to sew on, and, what kind of machine do you sew on now? Mine was a Singer, and still is! I just use the basic stitches, straight and zigzag, and rely heavily on my hand-stitching and hand-embroidery skills for the rest.

14 3/8″ x 14 3/8″

Chrysanthemum Tea by Christen Brown

This piece started with a scrap of commercially embroidered fabric, which I used for the teapot applique, and a few pieces of the border. I found a hand-dyed perle cotton in pink, yellow, and green, and used this for my color palette. I chose silk fabrics in those same colors. I added trims, appliques, buttons and lots of embroidery stitches. This piece can be seen in The Embroidery Book, by C&T Publishing.

Happy Stitching, ~Christen

National Sewing Month

Day 25

Question: When you are working with a group of fabrics, how do you decide what colors to use for the embroidery stitches? Here are a few ideas.

10″ x 10″

Victoriana by Christen Brown

This crazy-pieced square started with a rayon print, and 6 different silk fabrics that matched the colors of the print. I chose silk embroidery ribbon, perle cotton, buttonhole silk, cotton floss, and seed beads in those same colors. I used 7mm silk embroidery ribbon and silk bias ribbons for the ribbonwork flowers. Each section of fabric is worked with a combination of the colors and components.

15 3/8″ x 15 3/8″

Melted Crayons by Christen Brown

Tiny bits of precious silk fabrics were crazy-pieced onto four foundation squares and strip-pieced onto four border strips. These blocks and strips were bordered with black silk fabric, satin ribbon, and rayon cord. I chose to work each of the border rows with black buttonhole twist, then the decorative and detail stitches with a variegated Valdani perle cotton. Vintage and new button details were stitched down with perle cotton and rayon floss. This piece can be seen in The Embroidery Book, by C&T Publishing.

Happy Stitching, ~Christen

National Sewing Month

Day 24

Question: Do you like to add lace to your creations? For me that is a resounding yes! Here are a few ideas for you.

3 1/4″ x 6 3/4″

Spring Butterflies by Christen Brown

The little jewelry holder, is a perfect example of a small project that has a lot of punch. Two silk fabrics are strip-pieced together to create a base, which was then layered with vintage lace and butterfly appliques. The embroidery, which shadows the edges of the lace, is all worked in perle cotton. This project (pattern), Floral Garden Jewelry Holder, can be found in my book, Embroidered and Embellished, by C&T Publishing. Note: The design in the book is different than the one above.

This little block example is from my book, Hand Embroidery Dictionary, by C&T Publishing. It really gives you a close-up view of the stitches, that can be used when embroidering around a piece of lace or applique. The blanket and chain stitches can be worked around a curved shape with ease. Straight stitches can be used as decorative stitches worked inside small appliques. Remember to work the stitches within the open sections of the lace, or just around the outer edges. Don’t pierce the threads or stitching of the lace, as this may break down the fibers.

Sand Pebbles by Christen Brown

This piece showcases a beautiful vintage lace applique, that was stitched to a sand-colored cotton fabric. I embroidered the piece with several colors of Wildflower threads from the Caron Collection, then embellished the embroidered and lace sections with vintage and new glass beads, and jewelry findings. I bordered the outer edge with a piece of Hannah silk ribbon, and a few hand-blown glass beads. You can find this piece in my book, The Embroidery Book by C&T Publishing.

Happy Stitching, ~Christen