Archive | June 2009

Friday’s Favorites: Pincushions

favorite pincushions

favorite pincushions

pin-cushi-ion sounds like pin-koo sh-uhn
noun
description: A small cushion that is used in sewing to store pins or needles until needed.
origin date:1625–35

These are some of my favorite pincushions. From left to right:

  • Marushka is a cloth doll pincushion that I made with a pocket in her tummy for a thimble and a pocket in her back for scissors. I must admit to not putting too many pins in her, ’cause I don’t want to stab her!
  • The cloth bunny was made for me by a friend and is happy to sit with the other pincushions until needed.
  • The embroidered wool pincushion is one of my oldest needle work treasures. It was given to me by my friend Phyllis in the 8th grade. She went on a trip to the United Nations in NY, and bought this at the gift store, it was made in Hungary.
  • Certainly a staple for any needle worker is the tomato pincushion. I use mine for my sewing machine needles, I label each section with a needle size, and try to remember to stick the needle back in the right section! Sometimes just the thought of being organized is enough!
  • The colorful chicken was given as a gift at a luncheon sponsored by a local quilt group. I applaud all volunteers that put in time to do these gifts for their groups!
  • The velvet pincushion is one I made with a pretty ribbon flower.
  • Lastly but certainly not least is a pincushion that no collection would be complete without! I love these happy little people, and I use this one often as you can tell by all of the holes in it!

For further reading on pincushions see the Layette pincushions at the V&A Museum of Childhood.
Here is an excellent blog on every thing that you would want to know about  pincushions, The Domestic Diva.

Happy stitching, poking and pinning!- Christen

Violet Gardens- ribbon work brooch

Violet Gardens Brooch

Violet Gardens Brooch

This was one of two entries for the Piecework Magazine’s Excellence in Needlework 2009. This year’s challenge was to make a brooch no larger than 3″, in any needle art category. I chose ribbon work here and silk ribbon embroidery for my other submission Elizabeth’s Garden.

The base of the brooch is 18 gauge florist wire wrapped in cotton batting, then a silk bias ribbon. The brooch was fashioned into a spiral (see the bottom picture), with two loops. Tiny spirals of 22 gauge florist wire wrapped in cotton batting then 4mm silk ribbon peek out here and there, and add more dimension to the design.

The brooch was then covered in hand made ribbon worked flowers and leaves. I used 1/4″, 3/8″, 1/2″ and 5/8″ (folded in half); in a variety of materials including silk bias, rayon hem tape, ombre and taffeta ribbons. A few beads are sprinkled here and there for extra detailing.

back of brooch

back of brooch

The back of the brooch is almost covered with as many flowers as the front. I used a rococo trim to cover the bulk of the stitching, and then added in flowers and leaves here and there.

From this picture you can make out the spiral design of the base. You can see the tiny tendrils quite well here too, and if you look closely the pesky white batting wanted to peep out whenever it had a chance to from the 4mm ribbon, I fixed that before sending it off on it’s journey!

Both of my entries were selected by the judges to be included in a display of the brooches at The National Needle Arts Association’s trade show in Columbus, Ohio, June 13-15, 2009. They will also be on display at the Embroiderer’s Guild of America’s (EGA) museum in Louisville, Kentucky, from July 1 through September 23, 2009. For information contact EGA www.egausa.org (502) 589-6956.

Happy stitching, happy day, enjoy- Christen

Elizabeth’s Garden- silk ribbon embroidered brooch

Elizabeth's Garden Brooch

Elizabeth’s Garden Brooch

This was one of two entries for the Piecework Magazine’s Excellence in Needlework 2009. This year’s challenge was to make a brooch no larger than 3″, in any needle art category. I chose silk ribbon embroidery here and ribbon work for my other submission Violet Gardens.

The base of the brooch is a silk chambray fabric, which is covered in silk ribbon embroidery and a few ribbon worked flowers. The top center has two woven roses, with two rolled roses below these. A woven rose in the center and two carnations under the rolled rose.

The outer edge is covered in a rococo trim, with ribbon worked leaves that lead up to the top center with a another rolled rose and silk ribbon carnations.

back of brooch

back of brooch

The brooch was stitched to a padded cardboard base with the back covered in a piece of felt that I hand stitched to the silk front. I embroidered flowers through the holes in the pin back, and stitched in my initial for extra detailing.

This brooch is dedicated to our Elizabeth, who left her earthly body this year, but not our hearts. She was our 5 lb. Bengal kitty, who love all of these colors, fabrics and ribbons. Often I would find her nestled in the basket that held the components for this brooch, purring contentedly. Kitty kisses dear one.

Happy stitching, love what you do and those silent “mewses” who love you back! Christen

PS: Both of my entries were selected by the judges to be included in a display of the brooches at The National Needle Arts Association’s trade show in Columbus, Ohio, June 13-15, 2009. They were on display at the Embroiderer’s Guild of America’s (EGA) museum in Louisville, Kentucky, July 1 through September 23, 2009.

Melon Balls Vintage Ensemble

Melon Balls Vintage Necklace and Earrings

Melon Balls Vintage Necklace and Earrings

This entire collection of accessories started with with the coral colored rectangular molded glass pieces set into earring findings, which I found at the Salvation Army for $.99.

The next piece I found was the bracelet (shown below found on ebay), several years later with the same carved glass pieces set into a metal finding.

I wore these two parts of the ensemble for several more years until I came upon the glass beads (used in the necklace, also from ebay) with the same carved floral design. A few months after that I found the lovely melon colored souffle finished oval beads at a quaint little bead store outside of Julian, CA. I mixed these with black bicones and seed beads to create the necklace. I used a vintage glass button for the closure.

Melon Balls Bracelets

Melon Balls Bracelets

The second bracelet is comprised of vintage glass sew throughs (these I had been saving for just the right project), vintage glass buttons for the closure, and the left-over beads from the necklace.

Then I got to thinking about a brooch for this set, and I started to play with my celluloid buttons and ribbons in the same colors of the necklace.

Deco Decadence Brooch

Deco Decadence Brooch

The brooch boasts a lovely display of “buffed celluloid” buttons. I just adore the black and tan combination. It took many years to collect the right sizes and colors for this brooch. The ribbon worked flowers are made from a vintage ribbed cotton ribbon and the leaves are from a taffeta ribbon.

The ribbon buttons and flowers are attached to florist wire wrapped in 1/8″ satin ribbon, and sit in a vintage jacquard ribbon vase. A pin back is stitched to the back of the vase.

I found a great Chico’s jacket at a thrift store to wear all of these treasure with. Finally the hat and purse that I had collected a while back had a purpose.

Melon Hat and Vintage Purse

Melon Hat and Vintage Purse

The hat is a vintage crochet raffia by Laura Ashley found at a thrift store. I trimmed the brim with a textured lace. I made ribbon worked flowers from French wire ribbons, and used a vintage velvet leaf trim for the background of the vignette.

The vintage handbag was found on a treasure hunt. It is from China, embroidered in coral, melon and gray threads with gold work details. The frame is encrusted with pieces of turquoise and coral.

Yeah, I just love it when things like that work out!

Happy searching, I hope that you find a treasure today that will turn into a wonderous adventure like this one! Christen

Bonnie & Clyde- Vintage Collage Jewelry Ensembl

Bonnie and Clyde

Bonnie and Clyde

This neck piece started with a vintage tie stolen from my husband’s closet (he won’t miss it) that is from the 1930’s and an incredible set of vintage celluloid buttons known as “glow bubbles” dating from the 1920’s.

I first fell in love with these buttons because of the colors! Notice the green glow in the bracelet, and the large button in the center of the flower. The buttons are made with a metal base, layered with a piece of shiny foil or tin, then covered with a “bubble” of celluloid that was hollow, semi transparent and often had a geometric design.

I also used matte olive green celluloid buttons in the oval shape (shown around the flower petals). The black buttons are a molded tin, painted black.

The bracelet boasts the “cat’s eye glow bubbles” stitched onto a ribbon bracelet. The other bangle is a green and black swirl I bought at Coldwater Creek’s outlet store.

I wear this set with a vintage silk vest (also from my husbands closet) and a pair of fabulous vintage glass earrings that had belonged to my grandmother.

Quite the “bees knees”!

Happy stitching, enjoy- Christen

Andalusian Flower Fields- Crochet Jewelry Ensemble

Andalusian Flower Fields- crochet neckpiece

Andalusian Flower Fields- crochet neckpiece

Well if you thought that I had fun making this ensemble you were right!

Crochet is not my first needle technique of choice, not even my second, third… you get the picture. I learned the theory in high school, but never could read a pattern, so my elegant chains never really were of any use.

A few years ago I took a class, I got a book, took a refresher class from a friend, and just started to play. I guess it is just like anything new, you have to work at it. So I did. The flowers and leaves are all made from patterns that I developed, because I still can’t read anybody else’s pattern, but I can read my own!

The neckpiece is assembled by stitching each flower to the other, the leaves are attached to the flowers. I used a vintage glass button for the closure, and I stitched a crochet flower for the loop. The bracelet base is a vintage jacquard ribbon with the flowers sewn down on the ribbon. I had a second glass flower button that I used for the closure of the bracelet, and stitched a buttonhole loop.

Andalusian Flower Fields- crochet bracelet

Andalusian Flower Fields- crochet bracelet

The ensemble was made to be worn with a vintage blue shawl the same color as the light blue of the flowers. It is from China and is embroidered with the medium pinks, yellow and peach colors that I used in the flowers and the darker green color that I used for the leaves.

I found a vintage embroidered purse that was made in Mexico to match the shawl. It is embroidered on black velvet with flowers in the dark blue, pink and deep peach colors with the lighter green color of the leaves.

Happy stitching, creating, and searching for those great vintage finds! Christen

Marie’s Boudoirs Pillow 2- – silk ribbon embroidery

Marie's Boudoirs Pillow- 2

Marie's Boudoirs Pillow- 2

When I first pieced the fabric for this pillow it was origionally to be a purse, but then I decided I would be able to look at it more often if it were a pillow. I cut a plain fabric for the back, the other half of the purse has already been posted.

The entire pillow is made from silk, excluding the vintage jacquard ribbon (and the stuffing). The striped and solid color fabrics, the embroidery ribbons and thread.

The embroidery ingredients are:

  • 2mm, 4mm, and 7mm silk ribbon
  • silk rococo trim was used for embellishments
  • several colors of buttonhole twist and floss

The embroidery stitches I used include:

  • straight stitch
  • chain stitch
  • woven rose
  • twisted posey
  • wrapped posey
  • lazy daisy
  • bullion tipped lazy daisy
  • ribbon stitch
  • colonial knot
  • French knot
  • Chinese Knot
  • straight stitch w/ bullion tipped lazy daisy

I just love working with silk ribbon because it is so elegant and feminine and I feel that I am a part of history: where the ladies were beautifully dressed and demure and the gentlemen noble and well mannered…. another time and place!

6″ wide x 8″ tall

Happy stitching and dreaming! enjoy- Christen

Woodland Roses- necklace

Woodland Roses- necklace

Woodland Roses- necklace

I have been collecting buttons for as long as I can remember, nothing really fancy or too expensive, just colors and shapes that I liked and thought that I could use. At first all buttons ended up on garments, my imagination being somewhat limited to their use I guess.

Several years ago when I started to create jewelry that was more complicated than stringing beads, I started to look at my button stash as a source for more creative designs.

This particular group started with the lovely carved Bakelite roses, which took me several months to collect on ebay. During this time I had found a wonderful collection of celluloid buttons in taupe, maple and chocolate with great patterns and shapes. I then looked into my tagua nut collection, these carved beauties come in such lovely understated tones that I new they would blend in nicely. A few carved horn buttons fell into place here and there.

Other treasures I found to carry out my theme here are the clip-on earrings which are a pair of vintage rosewood discs with celluloid roses. The pin shown below the earrings is an old Bakelite “Deco Era” buckle that I glued a pin back to.  The base of the necklace is made similar to the “Vintage Bling Bling” pattern; gathered and stitched with a silk cord for the tie. The buttons and the rose charms are stitched to the base with pearl cotton.

Woodland Roses- bracelets

Woodland Roses- bracelets

The first cuff bracelet is pierced with a lovely design and made tortoise shell. The second bracelet is made using my “Bohemian Button Bracelet” pattern. I used many vintage tagua nut buttons from my stash. The last bracelet (vintage) matches the first set of earrings (shown with the necklace), being made from rosewood discs with celluloid roses.

The pierced earrings are a collection of charms that didn’t end up on the necklace. The dangles are made from: rosewood with celluloid roses, wood discs, and carved Bakelite roses.

This was a fun ensemble to collect for, actually the collecting, hunting and gathering took longer than making the piece. That was the fun part of the adventure.

Happy stitching, make every day count, and enjoy- Christen

Santa Fe Talisman- necklace

Santa Fe Talisman- necklace

Santa Fe Talisman- necklace

The inspiration for the colors of this neck-piece came from the wonderful colors in the abalone and Tahiti shell buttons. Other buttons include hand carved jade, turquoise and shell. The base of the necklace is comprised of two vintage velvet ribbon stitched together, using my Vintage Bling Bling pattern.

All of the components: the buttons; glass and shell charms; seed and novelty beads that are encrusted around the base took a lifetime to collect. The vintage carved tahiti shell buttons were a gift from a friend; the abalone buttons I made myself in high school; the turquoise buttons were bought at the Palace of the Governor in Santa Fe, New Mexico a few summers back.

Other treasures include shell discs that came from an old necklace I wore in high school; fresh water pearls, vintage trade beads and new glass beads I have collected from many bead shows and fairs.

Santa Fe Talisman- bracelets

Santa Fe Talisman- bracelets

The first bracelet “Anemone” is loaded with dangles of all kinds. These are stitched to a base of large seed beads with a vintage button for the closure. The second bracelet is from the “Button Brigade” pattern with carved floral pua shell buttons.

The treasures of the summer and the sea bring a life time of joy and beauty. Enjoy your stitching adventures…. Christen